Director and cinematographer
Kacper Lisowski
Born in 1972 in Warsaw. Alumnus of the Łódź Film School where he studied Direction of Photography and the Andrzej Wajda Master School of Film Directing in Warsaw. Currently works as scriptwriter, director of photography and director. He directed and shot his first documentary, "Whisky and Milk" in 2012 and in debuted with the feature film "Father’s Day" (33 mins.) in 2014 for which he was awarded: 2014 Clermont-Ferrand "Etudiant de Jeunesse" Award, 2014 Kraków, Silver Lajkonik for Narrative Film Award, 2014 IFF ZOOM, Best Narrative Film Award, 2015 GRAND OFF, Best Actor Award for A. Jakubik. His work as director of photography includes, among others: "The Real End of the Cold War" by Jerzy Śladkowski, "Every Touch Leaves a Trace" by Anna Zakrzewska and "Chemo" by Paweł Łozinski, which won Prix Europa in 2009. The most recent film with his photography, "You Don’t Know How Much I Love You" by Paweł Łozinski, received the Silver Prize at the Cracow Film Festival and numerous other prizes.
Filmography
| DIRECTOR: | |
| 2021 | „Sędziowie pod presją” (Judges under pressure), documentary, 87 minutes; Director and DOP |
| 2020 | „Tysiąc Tóg” (Thousand Robes), documentary, 12 minutes; Director |
| 2018 | „Mistrz Świata“ (World Champion), documentary, 64 minutes; Director and DOP |
| 2018 | „Patent na Podróż – Korea, Azory“ (A Method for Travel – Korea, the Azores), episode of travel series for Travel Channel; Co-director |
| 2018 | „Świetę miejsca – Gruzja, Armenia, Jerozolima, Moskwa“ (Holy Places – Georgia, Armenia, Jerusalem, Moscow), series episode for Travel Channel; Director |
| 2018 | „Europa Filmowa – Szkocja“ (Film Europe – Scotland),series episode for Discovery/Canal+; Director |
| 2015 | „Przepustka do wolności - Mateusz Kopeć“ (Leave for Freedom – Mateusz Kopeć), documentary series episode, TTV; Director |
| 2015 | „Twój najbliższy wróg“ (Your Closest Enemy), TV spot for the Committee of Child‘s Rights Protection; Directorc |
| 2014 | „Ojcze Masz“ (Father‘s Day), feature film, 33 minutes; Director
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| 2013 | „Stacja Warszawa“ (Station Warsaw), narrative anthology film, 84 minutes; Co-director of 2 out of 6 stories |
| DIRECTOR OF PHOTOGRAPHY (selection): | |
| 2018 | „Pani na Korczewie” (The Lady of Korczew), documentary, 57 minutes, dir. Sławomir Rogowski; DOP |
| 2016 | „Nawet nie wiesz, jak bardzo cię kocham“ (You Don‘t Even Know How Much I Love You), documentary film, 74 minutes, dir. Paweł Łoziński; DOP
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| 2016 | „Polska Filmowa“ (Film Poland), documentary series, dir. Krostoffer Rus, Discovery/Canal+; DOP |
| 2015 | „Odkryć świat na nowo“ (Reinventing the World), documentary series, dir. Alexandra Hardorf, ARTE; DOP |
| 2013 | „Wszystko może się zdarzyć“ (Anything Can Happen), documentary film, 52 minutes, dir. Lidia Duda; DOP |
| 2012 | „Nie kradnij“ (Thou Shalt Not Steal), documentary film, 52 minutes, dir. Michał Marczak; DOP |
| 2011 | „Prawdziwy koniec zimnej wojny” (The Real End of the Cold War), documentary film, 80 minutes, dir. Jerzy Śladkowski; DOP |
| 2008 | „Chemia“ (Chemo), documentary film, 58 minutes, Dir. Paweł Łozinski; DOP
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| 2003 | „Zapomniani ludzie” (Forgotten people), documentary film, 90 minutes, dir. Agnieszka Łukasiak; DOP
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| 2003 | „Tylko Tato” (Dad Only), documentary series, 12 episodes 30 minutes, dir. Lidia Duda; DOP |
| 1999 | „Patrzę na ciebie, Marysiu” (I’m Looking at You, Mary), TV film, 67 minutes, dir. Łukasz Barczyk; DOP |
| CAMERA OPERATOR (selection): | |
| 2014 | „Powstanie w Teksasie” (Texas Rising), series, dir. Roland Joffe, DOP. Arthur Reinhart; Camera Operator |
| 2011 | „Hatfields &McCoys”, series, dir. Kevin Reynolds, DOP. Arthur Reinhart; Camera Operator |
| 2003 | „Tristan i Izolda" (Tristan and Isolde), narrative film, 35 minutes, dir. Kevin Reynolds, DOP. Arthur Reinhart; Camera Operator |